A Paris museum has drawn outrage from France’s Jewish community over a display depicting photos of Palestinian suicide bombers as martyrs.

In their study, Clayton, along with Alexander Nagurney, an instructor at the University of Hawaii at Hilo and Jessica R. Smith, a doctoral student at St. Mary’s University in San Antonio, surveyed Facebook users ages 18 to 82 years old. Participants were asked to describe how often they used Facebook and how much, if any, conflict arose between their current or former partners as a result of Facebook use. The researchers found that high levels of Facebook use among couples significantly predicted Facebook-related conflict, which then significantly predicted negative relationship outcomes such as cheating, breakup, and divorce.

“Previous research has shown that the more a person in a romantic relationship uses Facebook, the more likely they are to monitor their partner’s Facebook activity more stringently, which can lead to feelings of jealousy,” Clayton said. “Facebook-induced jealousy may lead to arguments concerning past partners. Also, our study found that excessive Facebook users are more likely to connect or reconnect with other Facebook users, including previous partners, which may lead to emotional and physical cheating.”

Clayton says this trend was particularly apparent in newer relationships.

“These findings held only for couples who had been in relationships of three years or less,” Clayton said. “This suggests that Facebook may be a threat to relationships that are not fully matured. On the other hand, participants who have been in relationships for longer than three years may not use Facebook as often, or may have more matured relationships, and therefore Facebook use may not be a threat or concern.”

In order to prevent such conflict from arising, Clayton recommends couples, especially those who have not been together for very long, to limit their own personal Facebook use.

Holder, who has come under fire for the Justice Department’s snooping in on the phone records of AP reporters and Fox News Channel reporter James Rosen, told a congressional committee Thursday that the federal government will not prosecute members of the media that publish national security leaks.

“The department has not prosecuted and as long as I have the privilege of serving as the attorney general of the United States, will not prosecute any reporter for doing his or her job,” Holder said during an appearance before the Senate Appropriations Committee.

Ms. Stapleton died Friday at her New York City home, according to multiple published reports.

Ms. Stapleton was born in the city in 1923, and made her acting debut in the off-Broadway play “American Gothic.” She made numerous Broadway appearances, taking the stage in “Damn Yankees,” “Funny Girl” and other classic productions. Read more here.

Every documentary filmmaker begins with deciding on the story to be told, and, then, how to sustain audience interest. If your goal is to inform the public or take a stand on an important issue by explaining its origins and exposing wrong doers then you go one way. If your goal is to entertain and shroud your motives by exploring murky personality contradictions, you go another.

We Steal Secrets, Alex Gibney’s latest documentary (or is it a docudrama?), skillfully made with the backing of major media company tries to do both. Ironically, that company, Comcast, owners of NBCUniversal, is at the same time having a major success with another movie, Fast & Furious 6, glamorizing a criminal gang that relies on speedy cars.

You could say that WikiLeaks, the subject of We Steal Secrets, also began with a fury – a fury against war and secrecy, and was moving as fast as it could to challenge media complacency in the digital realm. Now, it is being ganged up on by a media that invariably builds you up before tearing you down.

The docu-tract uses slick graphics to creatively report on the origins and impact of WikiLeaks, the online whistle blower collective, but then, for “balance” and perhaps to preempt any criticisms of any bias, especially too much ideological sympathy, opens the tap on endless criticisms  by Wiki-dissidents who have turned on founder Julian Assange,  as well as the pathetic patriot hacker turned-informant who ratted out Bradley Manning, the Army private charged with leaking classified information to WikiLeaks.

The movie revels in all the negatives that surround him and his chief and gutsy leaker, Manning, who could land behind bars for life under the 1917 Espionage Act.

On June 1^st, Manning supporters will rally at the Virginia base at which he is being held. ABC News reports: “A large crowd is expected at Fort Meade this weekend for a mass demonstration in support of Army Private First Class Bradley Manning.” His trial begins June 3.

Says Michael Ratner of the Center for Constitutional Rights: “The Manning trial is occurring in the context of perhaps the most repressive atmosphere for free press in recent memory. It was bad enough that the Obama administration prosecuted twice the number of whistle blowers than all prior administrations combined. Then it went after logs and records of journalists and publishers…”

Manning’s recent and widely unreported statement in court explaining his reasons for making the secret documents public is not in the film. The film mentions, but does not explore, Manning’s claim that he offered his data first to mainstream newspapers including the Washington Post and that they showed no interest.

Their failure to publish the story was one of the reasons the soldier turned to WikiLeaks. And, also, one of the reasons that validates WikiLeaks claim of having a journalistic mission.

So, the stakes are high, and its surprising that the film’s very title, We Steal Secrets, an idea that many might be taken as a Wiki-boast, was really an admission by former CIA and NSA director Michael Hayden about what the U.S. government, not WikiLeaks, is all about. Balancing his espionage boosterism is a former Republican Justice Department hack.

It is very rare for an indy filmmaker to land interviews with top intelligence honchos. Who had the juice to get this “get” as major interviews are called in the news world?

Supporters of Assange like civil libertarians, media freedom groups, Pentagon Papers leaker Daniel Ellsberg, or critics like Noam Chomsky, are conspicuously absent. As a result, We Are Secrets seems more like a case for the prosecution than the defense, at least in the court of public opinion.

The film has had a big promotional push and is already playing in three theaters in New York, a success that masks some of its editorial failings including its in your face attempt at “fairness and balance,” the pretext the one-siders at Fox use as their claim to credibility.

The promotional hype for the film initially made it seem like an endorsement of Assange until you read it closely:

“Filmed with the startling immediacy of unfolding history, Academy Award-winning director Alex Gibney’s We Steal Secrets: The Story of WikiLeaks details the creation of Julian Assange’s controversial website, which facilitated the largest security breach in U.S. history. Hailed by some as a free-speech hero and others as a traitor and terrorist …”

So, there you are: the movie’s real question: is Assange a good guy or not? And what about Manning? Why did he do what he did? So, at the outset, Gibney leaves the political plane for a psychological, or even, a psychiatric one. He is out to personalize and in the process depoliticize a very political issue for what’s known in the news-biz as “character-based story telling.”

The mantra; stick with people, not their passions, individuals not ideas.

Yes, there’s lots of information about the goals and methods of WikiLeaks but that becomes in this movie a subtext to a more Shakespearean tragedy; the rise and fall of idealists who turn into their opposites, or are using politics to work out their twisted personal issues.

Out goes more film time devoted to war crimes and information concealment. In comes juicy stories about sex without condoms, cross-dressing, and gender conflicts to soften the brew.

The “worthy” appearance of investigation quickly turns into the nasty reality of exploitation with the focus on their subject’s flaws, not their bravery, a theme I am sure played well in the conservative board room at Comcast/

The Village Voice asks in its review, “is a strong point of view really such a bad thing? The movie leaves you feeling lost and confused. Fix. Please.”

The Washington Post seemed to celebrate its expose, not of government secrets — but of secret-hunter Assange, writing, “At best, Assange comes across as something of a noble jerk, a man who doesn’t care about embarrassing public figures who have done wrong. At worst, he comes across as a callous sociopath, someone who wouldn’t hesitate to publish unredacted details of military operations that might actually get people killed, only to lie about it after the fact by claiming that WikiLeaks had ‘systems’ in place to prevent potentially harmful disclosures. There weren’t, according to several seemingly knowledgeable individuals, including Assange’s former WikiLeaks colleagues.” (Doesn’t this reality show how bogus the oft-repeated fears of many in the media and government were?)

The New York Times was also a bit perturbed — not too much, given the paper’s frequent trashing of Assange (after milking the secrets he gave them) – describing it as a “tale of absolutist ideals that seemed somehow to curdle and of private torment in search of an outlet with drastic results.” Again, the theme is the personal more than the political.

The message: You can’t trust anyone, much less anyone challenging power.

No wonder that Assange  - who was not interviewed for this movie, perhaps sensing a hit job — has turned against the movie. WikiLeaks even got its hands on a script before the film’s release and annotated it to challenge its veracity. You can read it on their website at Wikileaks.org.

Wikileaks says, “The film portrays Manning’s alleged acts as failure of character rather than a triumph of conscience. The portrayal of Manning’s alleged relationship to WikiLeaks and to Assange is grossly irresponsible and suggests – erroneously and when evidence is to the contrary – that Assange may be guilty of conspiring with Bradley Manning to commit espionage or similar offences. The film buys into the current U.S. government position that journalists and publishers can be prosecuted as co-conspirators alongside their alleged sources.

“This is a dangerous proposition for all journalists and media organizations — not just WikiLeaks. In the context of the U.S. government’s attempts to prosecute journalists who communicate with confidential sources, Gibney’s film could have been an important and timely project. The film barely touches on the U.S. investigation against WikiLeaks, never mentions the words “grand jury” and trivializes the larger issues, perhaps because the film-maker could not secure an interview with Julian Assange?

“The film reports that Assange demanded millions for an interview — his way, no doubt, of mocking the big bucks behind the production. He knew they wanted the big confrontational Q&A and wouldn’t give it them!

Assange says there are two more WikLeaks films on the way that he has cooperated with.

I have been impressed with Alex Gibney’s work. He is a talented pro, and this film is worth seeing (and dissecting). I also admire the daring of Manning and Assange who are faulted for being paranoid, but,given the propaganda and legal broadsides launched against them, you can understand why.

Remember when the U.S. government sent thugs to break into Vietnam whistle blower Daniel Ellsberg’s psychiatrist’s office looking for ways to discredit him? Making your whistle blowers appear weird and crazy is an old technique used by the powerful against those who question power.

Kafka couldn’t of come up with a more byzantine legal process than the one that Manning faces. (Military justice is  for justice what military bands are for music.) There are, for example, no official transcripts of the legal proceedings available. Prominent journalists are calling for more access and transparency.

And while having Assange taking refuge in the Ecuador Embassy in London seems absurd, it is also a sign that there are people worldwide who respect and admire the work that WikiLeaks does!

We Steal Secrets is now a high profile part of the media war that WikiLeaks is fighting, a war that has often put whistle blower group at odds with the press whose freedom it champions. That press insists their way is the only way and is in the business of marginalizing dissidents.

So, first, there were the newspapers, who initially rejected the secrets of government abuse, and then used WikiLeaks, before repudiating Assange as not a “real journalist,” as they apparently believe themselves to be. Then, collectively and arrogantly turned on him en masse. Now, documentaries have become part of this contested terrain.

News Dissector Danny Schechter edits Mediachannel.org and blogs at news dissector.net. He is also an independent filmmaker. Comments todissector@mediachannel.org.

But Holder stopped short of offering concrete changes to guidelines.  He sought to assure journalists that he and the Justice Department  were trying to seek a balance between the demands of national security and the free flow of information, and sought suggestions on how those changes might be achieved.

Five organizations were represented at the  meeting: Politico; the Washington Post, the Wall Street Journal, the New Yorker, and the New York Daily News. The AP, the NEw York Times, CNN, Fox News, CBS News, Reuters, McClatchy and the Huffington Post all declined the invitation,

He’s under attack for how he’s handled the snooping of reporter’s phone records. So he invited news agencies to an off-the-record meeting with him to discuss “guidelines.” But Attorney General Eric Holder is being rebuffed by the AP, Fox News Channel, the Huffington Post and others.

More GOP lawmakers are now talking about the possibility that Attorney General Eric Holder should resign. This following testimony Holder gave on Capitol Hill over the Justice Department’s looking at the phone records of AP reporters. His testimony that he was unaware of any investigations targeting reporters came before the revelation that Justice had also looked at Fox News Channel reporter James Rosen’s phone records in a separate investigation. And that Holder knew about it.

For starters, let’s point out that people in New Jersey are – for the most part – happy their Republican governor has put aside partisan differences to successfully lobby President Obama to keep the Sandy-ravished Jersey Shore on his agenda. And this week, the president returned to the Shore to walk and play along the boardwalk and to address residents – assuring them that he has not forgotten their plight and encouraging them to remain Jersey Strong. But that didn’t stop conservative talk show host Rush Limbaugh from lashing out at the friendship between the two men, calling it a “master-servant” relationship.